Cristian Ianculescu

born 1965, Romania

Cristian Ianculescu is a sculptor working in stone, primarily marble, alabaster, and travertine, from a studio in Pietrasanta, Italy. His work has been exhibited across the United States and Europe and has been reviewed twice by The Washington Post. He is currently represented by Aurelia Gallery, Santa Fe.

Cristian Ianculescu at the opening of his exhibit in the Aurelia Gallery of Santa Fe, NM.
“My sculptures are figurative in origin, simplified to reveal an essence that is recognizable across cultures and time. I work in stone because carving is slow and contemplative, giving me time to consider the material’s challenges and clues. I carve decisively, guided by intuition, tuning the form through patient refinement until it rings clear. The finished piece is the lasting trace of an idea, shaped in the exchange of stone and chisel; some viewers will feel that resonance, and the energy of its making will spark new thoughts and feelings of their own.”
— Cristian Ianculescu

Exhibitions

Solo

2026, "Untamed Spirits", Waverly Street Gallery, Bethesda MD​​​​​​​

2025, "Stone Nocturnes - The Insomnia Suite", Aurelia Gallery, Santa Fe NM​​​​​​​

2022, "Anticipation of Flight", Waverly Street Gallery, Bethesda MD​​​​​​​

2019, "Dialogues", Waverly Street Gallery, Bethesda MD

Group

2025 Holiday Group Show, Aurelia Gallery, Santa Fe, NM

2025, "Brâncuși Reimagined: A Legacy Alive", Romanian Cultural Institute, New York NY

2024, "Sculpture NOW 2024", McLean Project for the Arts, McLean VA

2024, Artomatic, Washington DC

2019, "Flesh+Bone III", IA&A at Hillyer, Washington DC

Press & Articles

Romanian Cultural Institute - Brâncuși Reimagined: A Legacy Alive, March 12, 2025

Stories in Space: ”Sculpture NOW" at McLean Project for the Arts, Tom Hill at Portico Gallery - Mark Jenkins, October 19, 2024

East City Art Reviews: Sculpture NOW 2024 at McLean Project for the Arts - Katherine Markoski, Ph.D., November 11 2024

Revista de Cultura NEUMA, Nr. 5-6 (43-44): Dialog cu artistul plastic Cristian Ianculescu, Cătălina Novac, June 2021

Washington Post - In the galleries: Many works in ‘Spring Solos’ form a chorus of concern for the environment - Mark Jenkins, May 31, 2019

Washington Post - In the galleries: At annual benefit show, the world goes round - Mark Jenkins, April 20, 2017

Pietrasanta

I work from a studio in Pietrasanta, a small town at the foot of the Apuan Alps in Tuscany, where the white marble of nearby Carrara has been quarried since Roman times. Michelangelo came to these mountains to select his stone; for five centuries since, sculptors have followed the same road for the same reason. To carve here is to work inside a living tradition rather than alongside a historical one.

What drew me, and what keeps me, is threefold. There is the sheer capacity of the place, the quarries, the foundries, the master artisans and the equipment that make genuinely ambitious work possible, from the intimate to the monumental. There is the community: Pietrasanta gathers sculptors from around the world, and the daily exchange among them sharpens everything. And there is the depth of the Italian artistic tradition itself, an inexhaustible source I draw from constantly, not to imitate, but to stay in conversation with the sculptors who shaped what stone can mean.

Every work on this site begins here, in the dust and bustle of the studio, in dialogue with the stone.